Nisi Dominus aedificaverit domum, in vanum laborant qui aedificaverunt eam - "Unless the Lord built the house, they worked in vain who built it" Ps. 127

Thursday, April 16, 2015

Mozart, Herbert, John the Baptist, And Why We Can't Be Angels (from Principium et Finis)


All in the Head

     The great composer W.A. Mozart (who, I must admit, has made more than one appearance on this blog) is reported to have said that “Protestantism was all in the head”, and that “Protestants did not know the meaning of the Agnus Dei qui tollis peccata mundi [Lamb of God who takes away the sins of the world]”.  I would not put it so harshly, but with all due respect to my friends among the separated brethren, there is at least an element of truth to this observation.   Protestantism on the whole is very uncomfortable with the corporeality of more traditional expressions of Christianity, starting with the Protestant rejection of the True Presence of Christ in the Eucharist and the efficacy of sacraments in general, and carrying that same mind-set through to a suspicion of any physical expression of faith apart from the Scriptures themselves (and, in some congregations, speaking in tongues).  As a consequence, the Sign of the Cross, genuflection, rosaries, icons and statues all seem foreign to them. It almost appears that many of our Protestant friends, relying on Sola Scriptura and focusing on just The Word, are trying to uncarnate (so to speak) the Word made Flesh.

Sure, they may not look naked . . . 




     Many of them, but by no means all: there have always been some members of the reformation churches who understand and embrace the sacramental outlook that has been preserved in the Catholic and Orthodox Churches.  One such is the 17th century English religious poet George Herbert.  Herbert was an Anglican cleric in addition to being a poet, and so he devoted a portion of his poetry to defending his church.  Being an Anglican, he directed some of his fire at the Catholic Church, as one would expect, mostly criticism of the papacy and what he considered a certain superficiality (needless to say, I don’t concur in these objections).  He reserves his harshest and most substantive criticism, however, for the protestant Puritans, whom he accuses in his poem “The British Church” of being “undrest” . . . 

(Please read the entire post HERE at Principium et Finis)

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